Had she paints, or clay, or knew the discipline of the dance, or strings, had she anything to engage her tremendous curiosity and her gift for metaphor, she might have exchanged the restlessness and preoccupation with whim for an activity that provided her with all she yearned for.
And like an artist with no art form, she became dangerous.
-Toni morrison, sula (1973)
becoming more alive
I remember I was speaking with a psychiatrist I met during one of the training programs I was a part of. I reached out to him after appreciating his reflections and thoughts during the lecture portion of our curriculum. During a Zoom meeting, I shared with him that I kind of feel called to create and share more, but I often feel like there’s this pressure to be perfect and pure and almost be this Jesus Christ-like-figure.
He listened. There was a pause.
“You know they killed him right?” he reminded me.
I chuckled, not because it was funny, but because I realized that oh yeah that’s right. You can be the most pure and perfect being, whether you see this as a story, truth, or something else, but you can be the most perfect being who’s here to support and say the perfect messages at all times and people will still rip you apart and say it’s your fault. People will still crucify you literally and metaphorically even if you do everything “right.”
As cliché and overused as this metaphor might be, I do feel like a caterpillar that’s increasingly getting uncomfortable in my cocoon. Yet, I’m a part of many cocoons. And I’m finally shedding some of the messages I’ve internalized. For instance, I’m outgrowing a cocoon, whether from social or cultural upbringing or wherever, around this pressure to solely conform.
I had gone searching for a quote that I first encountered in Lisa Congdon’s text and then stumbled up on an article published on The Marginalian. The quote I’m referring to was attributed to Ben Shahn. In the beginning of her article titled On Nonconformity: Artist Ben Shahn’s Spirited Defense of Nonconformists as Society’s Engine of Growth and Greatness, Popova writes, “In such a groupthink society, Emerson cautioned, conformity is the most prized virtue, but whoever wishes to be a true person “must be a nonconformist.”
While I found this article helpful in terms of finally understanding my struggle with belonging as maybe more a matter of just not fitting in certain spaces, I also started to realize maybe my discomfort is not my own. Originally from Shahn’s article Nonconformity published in the Atlantic in September 1957 issue, Popova quoted the following in her essay, which felt helpful in this particular chapter I find myself in:
But it seems to be less obvious somehow that to create anything at all in any field, and especially anything of outstanding worth, requires nonconformity, or a want of satisfaction with things as they are. The creative person — the nonconformist — may be in profound disagreement with the present way of things, or he may simply wish to add his views, to render a personal account of matters.
As you can probably tell from the last post, maybe without knowing I’ve been searching for teachers and environments that can give me tools to build the worlds I imagine, whether those worlds are via photography, paints, movement, words, storytelling, therapy, spirituality, and even business principles.
Probably before everything with my mom, we might have had a different conversation. But I find myself itching as if I’m wearing some uncomfortable clothing. For instance, I was going to circle around to something since I paused a couple of activities, but then I saw a post. I was like oh I don’t think this aligns with what I’m trying to build anymore.
Finally got the acrylics out for an assignment. Got to play and get messy in the sketchbook. I’m going to miss Kelly’s class and I vow to keep in touch with her via email since I no longer have an instagram!
I can’t wait to show her in several months what I’ve been working on and that I’m keeping up with my sketchbook practice. >.<
I interpreted this post as pressure for everyone to speak about the same thing, have the same feelings, have the same thoughts, and ask the same questions. For most of my life, I experienced a false sense of safety. If I just do the same as everyone else, then that means I’m good. If I start to desire speaking about different topics or asking different questions…if I want to move differently, then I’m read as a threat to a particular system.
Everything should always be legible. Everything should always be the same. Everything should always be predictable. If not, that makes people uncomfortable. I should always be aiming for people’s comfort.
But even my body is rebelling no matter how much I think I want for it to be a particular way. One of the greatest compliments I’ve recently received was that I move like a weird creature. And yes, he did mean it as a compliment, haha. The square pegged child who learned she must always fit in even at the expense of breaking herself to fit into a round hole, is finally being told she’s wonderfully strange! It meant a lot to hear that because I’ve been trying to find my voice again and trying to speak the language my heart and body are speaking.
May I be honest with you right now? My body is telling me I don’t want to be pretty. It’s feeling like a cage right now. Beauty is different. But this prettiness, I don’t want that. I want to contort. I want to jerk. I want to crawl. I want to mix with different movements. So as people watch and point, I’m taking a chance and listening. I’m learning my body, heart, and spirit are multilingual though society has told me I must only speak one language. Yet, they speak through words, photography, therapy, monsters, spirituality, folklore, sketchbooks, movement, colors, music, dreams, rhythms…
May I tell you something else? I’m starting to find the environments, spaces, and teachers that let this little kid in me finally be free!! The kid that wants to be the monster, that wants to cry, that wants to feel, that wants to create, that wants to question, that wants to raise her hand and ask another question, that wants to move her hips as her ancestors had done, that essentially wants to come alive again.
Many, many notes taken from Moncell Durden’s intensive.
Teachers
Moncell has been one of those teachers for me. I first met him through the House community. He remembered me!! From him, I learned I want to flirt with music. I want to speak with music.
I’ve always tried to conform. I’ve always tried to please. I’ve always tried because I’ve been told if I could just follow all of these rules and followed them perfectly and be the best, then I’ll be safe. I’ll be protected and I’ll never be rejected.
But, I am no longer there. I know that doesn’t guarantee safety. That doesn't guarantee protection. That doesn’t guarantee being free from suffering or pain. If anything, another suffering might occur: the suffering from the death of one’s voice…
One other teacher that has left me whispering to my heart “We’re supposed to be here.” Is Anthony Francis. How do I know? I’ve been noting phrases he shares that resonate with my spirit. It’s okay to be different. How do your own ethics affect the medium? The inventory of who you are also affects your practice. “Disequilibrium is where learning takes place.” Nobody is staying long enough to endure that (disequilibrium). Challenge yourself past what you’re comfortable with. Tools for being an artist. Giving possibilities instead of telling you what to do. Make the work you believe in…
unfinished
Well, today I will cut this entry abruptly short. I had an initial draft of 4500 words, so I will still have to excavate what is left. I did not plan well in terms of when I would publish this. I have an early in-person session tomorrow and after that I have an intensive (my last one for the summer). I’m looking forward to planning how I’d like to grow in movement for the rest of the year and beyond and who I’d like to learn from.
As in sketchbook fashion, this is incomplete and I’m trying to show my perfectionist self that I will still be here and survive even if I don’t have a polished ending.
I can at least leave you with one final quote and who knows whether you’re navigating a period of grief, growth, finally advocating for your needs, no longer staying small to keep the peace and stay palatable…whether you’re a creative, artist, parent, grandma, auntie, father, friend, lover or just any human on this journey, may Graham’s words speak to the parts of you that feel called to become more alive.
Please take care and thank you so much for reading!
Can you tell that weird creature is still in there? When I would play with the camera and my hair was also a canvas. Our assignment: go out into the world and get some color chips that appear in an image you took. Can you guess what the rest of the assignment was?! I’m still working on that and I look forward to one day sharing.
There is a vitality, a life force, a quickening that is translated through you into action, and there is only one of you in all time, this expression is unique, and if you block it, it will never exist through any other medium; and be lost.
The world will not have it. It is not your business to determine how good it is, not how it compares with other expression.
It is your business to keep it yours clearly and directly, to keep the channel open.
You do not even have to believe in yourself or your work. You have to keep open and aware directly to the urges that motivate you.
Keep the channel open.
No artist is pleased. There is no satisfaction whatever at any time.
There is only a queer, divine dissatisfaction, a blessed unrest that keeps us marching and makes us more alive than the others.”
-Martha graham
Instructor: “I see almost a worship, or rather a reverence for your mother.”
Me: “Yes. I didn’t realize that until I saw the images and heard you say that word: reverence.”
Thank you so much for reading! Have any thoughts? Are you going through your own growth phase? Would love to hear your reflections or even see your creations! Please feel free to email me at sandy@unconventionalfolks.com.